For me, the show captured the true emotional potential of a live musical experience. After seeing his show… at the Café Carlyle, I knew I had to film it because it was so extraordinary to see the evolution of his life and his musical talent in such an intimate setting. “I often see him perform, and over the years I’ve gotten to know the depth of his musical inspirations. “Then and now, David’s music captures the energy and excitement of New York City,” Scorsese said in a previous statement. The show was part of Johansen’s run under his, according to Consequence, “80s hepcat lounge lizard persona Buster Poindexter.” Besides the concert, the documentary features new and archival interviews. The duo worked with cinematographer Ellen Kuras ( American Utopia) to film Johansen’s January 2020 set at New York City’s Café Carlyle. Scorsese co-directed the feature with one of his go-to partners, David Tedeschi ( The 50 Year Argument). The post ‘Personality Crisis: One Night Only’ Review: New York Droll appeared first on New York Times.The celebrated New York Film Festival has announced its 2022 lineup, and one of the headlining premieres will be Martin Scorsese’s Personality Crisis: One Night Only, his documentary focusing around a one-of-a-kind 2020 performance by New York Dolls frontman David Johansen. Yet to quote Sondheim’s battered and triumphal tune, a standard at cabarets like Café Carlyle, Johansen’s still here. Johansen is mindful of his ghosts - there are many. In addition to Thunders, the Dolls Sylvain Sylvain, Arthur Kane, Billy Murcia and Jerry Nolan have died. In clips of the New York Dolls performing “Personality Crisis,” Johansen belts and the late Johnny Thunders’s guitar rattles. Downtown luminaries including Debbie Harry of Blondie are among the assembled. The cinematographer Ellen Kuras captures the singer and his terrific ensemble, the Boys in the Band Band, with suave fluidity. Interviews with the boundlessly inquisitive artist, conducted by his stepdaughter Leah Hennessey, are intercut with the performance and Johansen’s vagabond history, which includes fronting the Harry Smiths, named for the Chelsea Hotel denizen who compiled the “Anthology of American Folk Music” album that put a spell on so many. And the film treats that happening as a hub as it ventures into a rich visual archive of Johansen’s (and New York City’s) renegade past and his ruminative present. In January 2020, Johansen celebrated his 70th birthday with a cabaret show at the Carlyle. The song was the first single Johansen released after having been the lead singer of the iconic 1970s band the New York Dolls. It also includes new and archival interviews with him and others. The storied Café Carlyle delivers the chic. Johansen is the subject of a new Showtime documentary, co-directed by Martin Scorsese and David Tedeschi, called 'Personality Crisis: One Night Only.' Much of the documentary is built around Johansen's 2020 performance at the Cafe Carlyle in New York City as Buster Poindexter. A first-rate raconteur, Johansen - wearing a pompadour, sunglasses and bespoke suit - brings the funk. When David Johansen’s alter ego, Buster Poindexter, swings into “Funky but Chic” early in “Personality Crisis: One Night Only” - a documentary co-directed by Martin Scorsese and David Tedeschi - a viewer should consider herself primed for a droll and cheeky evening.
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